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Melissa
M. Bull began playing the violin at age five.
Throughout her schooling, she received numerous awards,
succeeded at multiple
national competitions and music festivals, and was the youngest
musician (age 11) ever to win a professional position with
the York
(PA) Symphony Orchestra. In 1996, she was cited by the PA House
of Representatives for excellent representation of the
state in
music and for winning the role of concertmaster of the PMEA State
Orchestra. That same year, she enrolled at New England
Conservatory
of Music, studying with acclaimed violinist James Buswell. After
a few years in part-time status, she now studies with him
full-time
at Gordon College. At Gordon, Ms. Bull is the first student to
have earned the role of concertmaster in the mentored Symphony
Orchestra.
Other highlights of her musical career include weekly performances
on WEZE 590 AM, several solo appearances with the Gordon
Symphony
Orchestra (2005), a 2002 recital series in Medellín, Colombia,
a concert collaboration with the Pittsburgh Symphony Orchestra
in
1996, a performance at the 1996 Summer Olympics in Atlanta, GA,
and two solo appearances with the York Youth Symphony Orchestra
(1994, 1996). She attended Brevard Music Center three summers on
scholarship, where she was the recipient of the 1993 Musician
of
the Year award. Ms. Bull has performed in such prestigious venues
as New York City’s Carnegie Hall, Pittsburgh’s
Heinz Hall, New England Conservatory’s Jordan Hall, and
Boston’s
Symphony Hall. She now lives near Boston, MA and enjoys a busy
free-lancing career as a violinist, pianist, organist, and vocalist,
playing
for private functions, performing as a studio musician, and presenting
solo recitals and concerts with various chamber ensembles and
orchestras.
Ms. Bull is the founder and coordinator of Accord Music & Chamber
Players, which specializes both in providing music for special
events
and in performing and recording new works for local student and
professional composers, having recorded well over 500 original
compositions
written for string or full orchestra. Ms. Bull recently received
her Bachelor’s degree in both music performance
and Spanish from Gordon College, where she received numerous
honors for academic and musical leadership. |
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A
native of Canada, Peter Cama-Lekx is
an active performer on viola in small chamber ensembles and orchestras
throughout
New England. Peter also performs regularly on medieval strings
as well as period violin and viola in early music ensembles including
Music for a while and Heliotrope Consort. In addition, he is a
skilled
choral singer and has held various positions in church choirs;
currently, he sings with the Cathedral Choir of St. Paul in Boston.
Peter maintains
a private studio in Somerville, Massachusetts and is known for
his skill at teaching violin and viola to children and adults of
all
levels. He has previously served as the String Department Assistant
at Boston University, and as a viola Teaching Assistant. In 2005,
Peter won an award in recognition of his performing talents and
his dedicated service to Boston University's String Department.
Currently completing his Doctor of Musical Arts degree in Viola
Performance at Boston University, Peter studies viola with Michelle
LaCourse and baroque violin/viola with Jane Starkman. His previous
viola teachers have been Timothy Deighton (Pennsylvania State University),
Christine Vlajk (Wilfrid Laurier University) and Dov Scheindlin
(Wilfrid Laurier University). |
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Bonnie
L. Cochran performs regularly
throughout the Boston area and has performed with
the New Bedford Symphony, Willow Flute Ensemble, Boston
Civic Symphony Orchestra, Metrowest Symphony, the National Flute
Association (NFA) Professional Flute Choir and in musical theater
productions with Boston Theatre Works, Bay Colony Productions,
Turtle Lane Players, and Wellesley Players. Bonnie was a 2004
winner of the NFA's Convention Performer Competition, where she
performed the newly rediscovered CPE
Bach Concerto in D Major. Other solo appearances include a
performance of the Bach Brandenburg Concerto No. 2 with the
Waldorf School Orchestra (March 2006) and Chaminade's Concertino
with the Agnes Scott College Orchestra (1998). In
the past few years, Bonnie performed with Willow Flute Ensemble
at the NFA Flute Convention (2002), and as a soloist on a recital
series at Massachusetts Institute of Technology (2001, 2000,
2005). In
December 2005, Bonnie released her first CD, Song and Dance,
a collection of flute music, including several of her original
compositions. She is joined by harpist Sarah Manning Stuart
for four selections on this CD. Bonnie can also be heard on
the
Willow Flute Ensemble CD, which was released in 2000 and on
the 2004 Holiday CD produced by the Minor Chord School of Music. Her
primary teachers have included Linda Toote, Elinor Preble and
Paul Brittan, and she has performed in master classes with
Keith Underwood, Susan Glaser, Paul Edmund-Davies and Laura
Barron. Bonnie holds a MM in Flute Performance from The Boston
Conservatory and BA's in Music and Religious Studies from Agnes
Scott College.
In addition to performing,
Bonnie teaches private flute lessons and enjoys composing
music. Bonnie's compositions have been
performed on numerous concerts in Atlanta, Boston, New York
and Cape Cod, including performances at Weill Recital Hall
at Carnegie Hall (2005), the Greater Boston Flute Association
Flute Fair (2002), Massachusetts Institute of Technology, Harvard
University, The Boston Conservatory and Agnes Scott College.
In addition, her arrangement of Silent Night was recently recorded
on Harpist Sarah Manning Stuart's Winter Wonderland CD.
Bonnie has studied composition with John Heiss, John Clement
Adams, Larry Bell, and Ronald Byrnside. |
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Lisa
Hudson is a professional freelancer and woodwind instructor
in Massachusetts where she plays oboe and English horn in various
groups including the Plymouth Philharmonic Orchestra, New Bedford
Symphony Orchestra and Claflin Hill Symphony Orchestra. She also
performs at the Wheelock Family Theater in Boston, and has doubled
on oboe, flute and clarinet at the Turtle Lane Playhouse in Newton.
She is the owner and founder of the oboe and English horn reed
company, Lisa Hudson Oboe Reeds. Lisa earned her BM at The Boston
Conservatory where she studied with Stuart Dunkel and earned her
MM at Manhattan School of Music where she studied with Stephen
Taylor. |
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Sarah
Anne Manning Stuart is a freelance harpist
in the Boston and surrounding areas. Sarah performs regularly
as an orchestral musician
with New Bedford Symphony, Newton Symphony, Boston’s Civic
Symphony and New England Philharmonic. She has also appeared
with
Boston Modern Orchestra Project and New England String Ensemble.
Nationally, Sarah has participated in the Texas International
Festival Orchestra, the Bowdoin Summer Chamber Music Festival
and the Pierre Monteux Festival Orchestra. Internationally,
Sarah
has toured Austria as a member of the AIMS Festival Orchestra.
Sarah provides solo and chamber music at hundreds of functions
a year. She has performed at: the Boston Museum of Fine Arts,
the Ritz Carlton, the Harvard Club, the JFK Library and Boston
University. Recently, Sarah was featured as a soloist with the
New Bedford Symphony Orchestra. Sarah has completed two recording
projects. Spring Sea features flute and harp duets with Mana
Washio. Winter Wonderland is a collection of holiday arrangements
for
solo harp. An enthusiastic teacher, Sarah currently teaches privately
in Brookline. Currently, she is President of the Boston Chapter
of the American Harp Society. Sarah
studied with Alice Chalifoux at the Oberlin Conservatory and
at
the Salzedo Harp School in Camden Maine. She continued her musical
training with Yolanda Kondonassis and received her Master of
Music
from the Cleveland Institute of Music. Also, Sarah has a Bachelor
of Arts in English Literature from Oberlin College.
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Kate
Marsch, cello, holds a Master of Music and a Graduate Performance
Diploma from The Boston Conservatory as well as two undergraduate
degrees, a Bachelor in Music Performance and a Bachelor of
Education from the University of Houston. Originally from Iowa,
Kate remained in Texas after undergraduate studies and taught
middle school instrumental music, maintained an active teaching
studio, and was an active freelancer in the greater Houston
area. In Boston, Kate has performed several solo recitals spends
most of her spare time performing chamber music the Amaryllis
Ensemble and the Accord Music Chamber Players. In addition
to her chamber music work, Kate also freelances in Boston and
has served as Principal Cello with both the Boston Civic Symphony
and the New Bedford Symphony. Currently, Kate teaches cello
lessons in Wellesley where she maintains an active studio.
Her students routinely perform recitals, and can be seen in
the Massachusetts All-State Orchestra, and various youth symphonies
in the Boston area. In addition to her musical endeavors, Kate
works part-time for the Boston Symphony as an assistant music
librarian. Her principal teachers have been Ronald Feldman,
Andrew Mark and Laszlo Varga.
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Leanne
Rabesa is a self-described chamber music addict and has
studied with such groups as the Colorado, Ying, and Lydian String
Quartets. She holds both a BM and MM from the Eastman School of
Music, where she studied with George Taylor. As a founding member
of the Pharos and Caravaggio String Quartets, she has performed
in places as diverse as the mountains of British Columbia and
the hills of Kentucky, and played in master classes for members
of the Tokyo, Guarneri, and Miró Quartets, among others.
She currently has a large studio of small violists (the latter
growing more rapidly than the former) in Wellesley and Milton,
MA, and is thoroughly thrilled to have finally acquired a viola
by Marten Cornelissen.
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Piper Runnion-Bareford heard
the harp for the first time when she was eight years old, and
her musical education began soon after
under the skilled tutelage of Stephanie Curcio. After only two
years Piper moved to the full size pedal harp, and began to pursue
her music seriously. She began studying at the New England Conservatory
of Music Preparatory School, spending every Saturday studying music
theory, solfege, and composition, as well as playing in chamber
ensembles and with the Youth Symphony. At age thirteen, Piper became
the principal harpist for the top level orchestra, the Youth Philharmonic,
and went on the 2001 tour to Venezuela and Cuba. She was then accepted
to the Royal College of Music, London, where she earned a one year
performance degree. Piper returned to the United States to attend
the Curtis Institute of Music, Philadelphia, where she graduated
first in her class in 2006. While at Curtis, Piper had the privilege
of studying under Judy Loman and Elizabeth Hainen, as well as studying
advanced harmony with Edward Aldwell. Piper has played as soloist
for numerous orchestras around New England, as well as in Pennsylvania
and Washington, DC. She had the opportunity to perform at the Kennedy
Center, Washington, DC performing Handel’s Concerto in Bb
with the Washington Choral Arts Society during her senior year
at Curtis. Piper has played as principal harp for the Baltimore
Symphony, the Curtis Symphony Orchestra, the Nashua Chamber Orchestra,
the New Hampshire Philharmonic, the Maine State Ballet Orchestra,
the Merrimack Valley Philharmonic, the Brockton Symphony Orchestra,
and the New England Conservatory’s Youth Philharmonic. Before
moving from Philadelphia she had the privilege of being a member
of the harp section for the Philadelphia Orchestra’s performance
and recording of Mahler Symphony No. 6. She is currently taking
time off from the full time study of music, and is enrolled as
a student at Gordon-Conwell Theological Seminary’s Center
for Urban Ministerial Education in Boston, Massachusetts. |
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A
native of Taiwan, Jennifer
Sho moved to the United States at the
age of eleven and was immediately accepted into the private studio
of Adolph Baller, an honored member of the Alma Trio and a frequent
accompanist to Yehudi Menuhin. At age twelve, she gave her first
solo recital at Stanford University and concerto performances
with the Palo Alto Chamber Orchestra. Since then, she has performed
numerous recitals in the San Francisco bay area including the
Stanford Alumni Music Series, Santa Rosa Chamber Music Series,
Music in the Redwoods Concert Series, Twilight Concert Series,
San Francisco Chopin Council, and broadcasted three programs with
the Grand Piano Cable Television Program (1990-1992). She has
won various competitions including the International Piano Recording
Competition, the Young Artist Award Competition, and the CCPC
Romantic Festival Competition. Ms. Sho studied with Mack McCray
at the San Francisco Conservatory of Music and holds a doctorate
from the New England Conservatory of Music, where she studied
under Patricia Zander. Currently residing with her husband in
Brookline, Massachusetts, Ms. Sho is faculty at Gordon College
and an active solo and chamber performer in the Boston area and
in Taiwan. She is a member of the Massachusetts Music Teachers
Association, the Associated Board of Royal Schools of Music, and
the New England Piano Teachers Association. Her biography is also
included in the Marquis "Who's Who in America" Biographies.
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Violinist Catherine
Tai is a native of Edmonton, Canada. She holds
both Bachelor and Master of Music degrees from the University
of British Columbia, and an Artist Diploma from Boston University
with principal teachers including Martin Beaver, Andrew Dawes,
and Peter Zazofsky. Currently active as a performing artist in
the Boston and surrounding areas, Catherine has also been a soloist
with the CFRN Television Orchestra, Alberta Baroque Ensemble,
University of British Columbia Symphony Orchestra, and Kamloops
Symphony. Her solo and chamber recitals have been broadcast on
CBC Westcoast Performance in Canada, RTHK Radio Four Hong Kong
Concert Hall, and Radio Suisse Romande Espace 2 in Switzerland.
First prize winner in both the 1997 CBC Westcoast Performance
Young Musicians’ Competition and 1999 CFRMTA National String
Competition, she is also a laureate of Début Young Concert
Artists. As a music educator, Ms. Tai maintains a violin studio
and is on faculty at the Dana Hall School of Music in Wellesley
where she teaches violin and chamber music. In 2007, Catherine
was called to the College of Examiners for the Royal Conservatory
of Music and is active as a string examiner throughout Canada.
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