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Melissa
M. Bull began playing the violin at age five. Throughout
her schooling, she received numerous awards, succeeded at multiple
national competitions and music festivals, and was the youngest
musician (age 11) ever to win a professional position with the York
(PA) Symphony Orchestra. In 1996, she was cited by the PA House
of Representatives for excellent representation of the state in
music and for winning the role of concertmaster of the PMEA State
Orchestra. That same year, she enrolled at New England Conservatory
of Music, studying with acclaimed violinist James Buswell. After
a few years in part-time status, she now studies with him full-time
at Gordon College. At Gordon, Ms. Bull is the first student to have
earned the role of concertmaster in the mentored Symphony Orchestra.
Other highlights of her musical career include weekly performances
on WEZE 590 AM, several solo appearances with the Gordon Symphony
Orchestra (2005), a 2002 recital series in Medellín, Colombia,
a concert collaboration with the Pittsburgh Symphony Orchestra in
1996, a performance at the 1996 Summer Olympics in Atlanta, GA,
and two solo appearances with the York Youth Symphony Orchestra
(1994, 1996). She attended Brevard Music Center three summers on
scholarship, where she was the recipient of the 1993 Musician of
the Year award. Ms. Bull has performed in such prestigious venues
as New York City’s Carnegie Hall, Pittsburgh’s
Heinz Hall, New England Conservatory’s Jordan Hall, and Boston’s
Symphony Hall. She now lives near Boston, MA and enjoys a busy free-lancing
career as a violinist, pianist, organist, and vocalist, playing
for private functions, performing as a studio musician, and presenting
solo recitals and concerts with various chamber ensembles and orchestras.
Ms. Bull is the founder and coordinator of Accord Music & Chamber
Players, which specializes both in providing music for special events
and in performing and recording new works for local student and
professional composers, having recorded well over 500 original compositions
written for string or full orchestra. Ms. Bull recently received
her Bachelor’s degree in both music performance and Spanish
from Gordon College, where she received numerous honors for academic
and musical leadership. |
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A
native of Canada, Peter
Cama-Lekx is an active performer on viola in small
chamber ensembles and orchestras throughout New England. Peter also
performs regularly on medieval strings as well as period violin
and viola in early music ensembles including Music for a while and
Heliotrope Consort. In addition, he is a skilled choral singer and
has held various positions in church choirs; currently, he sings
with the Cathedral Choir of St. Paul in Boston. Peter maintains
a private studio in Somerville, Massachusetts and is known for his
skill at teaching violin and viola to children and adults of all
levels. He has previously served as the String Department Assistant
at Boston University, and as a viola Teaching Assistant. In 2005,
Peter won an award in recognition of his performing talents and
his dedicated service to Boston University's String Department.
Currently completing his Doctor of Musical Arts degree in Viola
Performance at Boston University, Peter studies viola with Michelle
LaCourse and baroque violin/viola with Jane Starkman. His previous
viola teachers have been Timothy Deighton (Pennsylvania State University),
Christine Vlajk (Wilfrid Laurier University) and Dov Scheindlin
(Wilfrid Laurier University). |
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Bonnie
L. Cochran performs regularly throughout the
Boston area and has performed with the New Bedford Symphony, Willow
Flute Ensemble, Boston Civic Symphony Orchestra, Metrowest Symphony,
the National Flute Association (NFA) Professional Flute Choir
and in musical theater productions with Boston Theatre Works,
Bay Colony Productions, Turtle Lane Players, and Wellesley Players.
Bonnie was a 2004 winner of the NFA's Convention Performer Competition,
where she performed the newly rediscovered CPE Bach Concerto in
D Major. Other solo appearances include a performance of the Bach
Brandenburg Concerto No. 2 with the Waldorf School Orchestra (March
2006) and Chaminade's Concertino with the Agnes Scott College
Orchestra (1998). In the past few years, Bonnie performed with
Willow Flute Ensemble at the NFA Flute Convention (2002), and
as a soloist on a recital series at Massachusetts Institute of
Technology (2001, 2000, 2005). In December 2005, Bonnie released
her first CD, Song and Dance, a collection of flute music, including
several of her original compositions. She is joined by harpist
Sarah Manning Stuart for four selections on this CD. Bonnie can
also be heard on the Willow Flute Ensemble CD, which was released
in 2000 and on the 2004 Holiday CD produced by the Minor Chord
School of Music. Her primary teachers have included Linda Toote,
Elinor Preble and Paul Brittan, and she has performed in master
classes with Keith Underwood, Susan Glaser, Paul Edmund-Davies
and Laura Barron. Bonnie holds a MM in Flute Performance from
The Boston Conservatory and BA's in Music and Religious Studies
from Agnes Scott College. In
addition to performing, Bonnie teaches private flute lessons and
enjoys composing music. Bonnie's compositions have been performed
on numerous concerts in Atlanta, Boston, New York and Cape Cod,
including performances at Weill Recital Hall at Carnegie Hall
(2005), the Greater Boston Flute Association Flute Fair (2002),
Massachusetts Institute of Technology, Harvard University, The
Boston Conservatory and Agnes Scott College. In addition, her
arrangement of Silent Night was recently recorded on Harpist Sarah
Manning Stuart's Winter Wonderland CD. Bonnie has studied composition
with John Heiss, John Clement Adams, Larry Bell, and Ronald Byrnside.
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Sarah
Anne Manning Stuart is a freelance harpist in the
Boston and surrounding areas. Sarah performs regularly as an orchestral
musician with New Bedford Symphony, Newton Symphony, Boston’s
Civic Symphony and New England Philharmonic. She has also appeared
with Boston Modern Orchestra Project and New England String Ensemble.
Nationally, Sarah has participated in the Texas International
Festival Orchestra, the Bowdoin Summer Chamber Music Festival
and the Pierre Monteux Festival Orchestra. Internationally, Sarah
has toured Austria as a member of the AIMS Festival Orchestra.
Sarah provides solo and chamber music at hundreds of functions
a year. She has performed at: the Boston Museum of Fine Arts,
the Ritz Carlton, the Harvard Club, the JFK Library and Boston
University. Recently, Sarah was featured as a soloist with the
New Bedford Symphony Orchestra. Sarah has completed two recording
projects. Spring Sea features flute and harp duets with Mana Washio.
Winter Wonderland is a collection of holiday arrangements for
solo harp. An enthusiastic teacher, Sarah currently teaches privately
in Brookline. Currently, she is President of the Boston Chapter
of the American Harp Society. Sarah
studied with Alice Chalifoux at the Oberlin Conservatory and at
the Salzedo Harp School in Camden Maine. She continued her musical
training with Yolanda Kondonassis and received her Master of Music
from the Cleveland Institute of Music. Also, Sarah has a Bachelor
of Arts in English Literature from Oberlin College.
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Kate
Ellingson, cello, holds a Master of Music and a Graduate
Performance Diploma from The Boston Conservatory as well as two
undergraduate degrees, a Bachelor in Music Performance and a Bachelor
of Education from the University of Houston. Originally from Iowa,
Kate remained in Texas after undergraduate studies and taught
middle school instrumental music, maintained an active teaching
studio, and was an active freelancer in the greater Houston area.
In Boston, Kate has performed several solo recitals spends most
of her spare time performing chamber music the Amaryllis Ensemble
and the Accord Music Chamber Players. In addition to her chamber
music work, Kate also freelances in Boston and has served as Principal
Cello with both the Boston Civic Symphony and the New Bedford
Symphony. Currently, Kate teaches cello lessons in Wellesley where
she maintains an active studio. Her students routinely perform
recitals, and can be seen in the Massachusetts All-State Orchestra,
and various youth symphonies in the Boston area. In addition to
her musical endeavors, Kate works part-time for the Boston Symphony
as an assistant music librarian. Her principal teachers have been
Ronald Feldman, Andrew Mark and Laszlo Varga.
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Piper
Runnion-Bareford heard the harp for the first time when she was
eight years old, and her musical education began soon after under
the skilled tutelage of Stephanie Curcio. After only two years
Piper moved to the full size pedal harp, and began to pursue her
music seriously. She began studying at the New England Conservatory
of Music Preparatory School, spending every Saturday studying
music theory, solfege, and composition, as well as playing in
chamber ensembles and with the Youth Symphony. At age thirteen,
Piper became the principal harpist for the top level orchestra,
the Youth Philharmonic, and went on the 2001 tour to Venezuela
and Cuba. She was then accepted to the Royal College of Music,
London, where she earned a one year performance degree. Piper
returned to the United States to attend the Curtis Institute of
Music, Philadelphia, where she graduated first in her class in
2006. While at Curtis, Piper had the privilege of studying under
Judy Loman and Elizabeth Hainen, as well as studying advanced
harmony with Edward Aldwell. Piper has played as soloist for numerous
orchestras around New England, as well as in Pennsylvania and
Washington, DC. She had the opportunity to perform at the Kennedy
Center, Washington, DC performing Handel’s Concerto in Bb
with the Washington Choral Arts Society during her senior year
at Curtis. Piper has played as principal harp for the Baltimore
Symphony, the Curtis Symphony Orchestra, the Nashua Chamber Orchestra,
the New Hampshire Philharmonic, the Maine State Ballet Orchestra,
the Merrimack Valley Philharmonic, the Brockton Symphony Orchestra,
and the New England Conservatory’s Youth Philharmonic. Before
moving from Philadelphia she had the privilege of being a member
of the harp section for the Philadelphia Orchestra’s performance
and recording of Mahler Symphony No. 6. She recently received
a Masters in Urban Ministry and a Master of Divinity degree from
Gordon Theological Seminary and is currently in the process of
becoming ordained. Piper loves to teach, and maintains a growing
studio teaching harp as well as Suzuki piano at the Manchester
Community Music School and Gordon College. |
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Violinist
Catherine Tai is a native of Edmonton, Canada.
She holds both Bachelor and Master of Music degrees from the University
of British Columbia, and an Artist Diploma from Boston University
with principal teachers including Martin Beaver, Andrew Dawes, and
Peter Zazofsky. Currently active as a performing artist in the Boston
and surrounding areas, Catherine has also been a soloist with the
CFRN Television Orchestra, Alberta Baroque Ensemble, University
of British Columbia Symphony Orchestra, and Kamloops Symphony. Her
solo and chamber recitals have been broadcast on CBC Westcoast Performance
in Canada, RTHK Radio Four Hong Kong Concert Hall, and Radio Suisse
Romande Espace 2 in Switzerland. First prize winner in both the
1997 CBC Westcoast Performance Young Musicians’ Competition
and 1999 CFRMTA National String Competition, she is also a laureate
of Début Young Concert Artists. As a music educator, Ms.
Tai maintains a violin studio and is on faculty at the Dana Hall
School of Music in Wellesley where she teaches violin and chamber
music. In 2007, Catherine was called to the College of Examiners
for the Royal Conservatory of Music and is active as a string examiner
throughout Canada.
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